Jim Brochu mingles his life story with those of the famous and near-famous of theatre, alternately performing himself or simply selling those watery orange drinks in Broadway’s Alvin Theatre, now called the Neil Simon.
Never doubt the ability of James Franco to make audiences double over with laughter even as his latest film, “The Interview” might actually provoke an international incident.
We talk with Streb about her work which intertwines the disciplines of dance, athletics, boxing, rodeo, the circus, and Hollywood stunt-work, captured on film by Catherine Gund.
More people will see Sweeney Todd on September 26 than saw the original hit on Broadway.
The Lydian Quartet will perform a program of Schubert, Shostakovich and Hyla at a late afternoon performance on September 20 in New Marlbrough, MA.
Real men march in high heels while bean bag throwing mingles with opera and drumming in the usual crazy (but fun) mix of creative activities in the next Third Thursday.
The Four Seasons is on the program of Baroque and Classical works on Saturday, September 27 as the artistic core of the Orchestra of St. Lukes takes the Mahaiwe stage, under the auspices of the Berkshire Bach Society.
Poe was a master of more than horror stories. He also wrote satires, humor tales, and hoaxes. For comic effect, he used irony and ludicrous extravagance, often in an attempt to liberate the reader from cultural conformity.
Oskar Eustis, Artistic Director of The Public Theatre, has calledIn Darfur “A theatrical offering that is also a call to arms.”
This classic 1955 Pulitzer winning play is set in the Mississippi Delta plantation home of cotton tycoon Big Daddy, who clashes with his son Brick and Maggie the “Cat”, Brick’s wife.
Ibsen’s timeless conflict between the hypocritical “moral” majority and a truth-teller is even more riveting in Arthur Miller’s hands.
Madame Tussaud lives on in wax, and in a not-yet-published play by Trina Davis which is the final offering in WAM Theatre’s “Fresh Takes” play reading series.
Two plays that tackle today’s politics: one about those who want to take away choice, and the other about climate change deniers. Plus commentary on how this makes for good theatre.