It’s a season of celebration and discovery as Close Encounters With Music introduces grand prize winners of the Tchaikovsky International Violin Competition and Arthur Rubinstein International Piano Master Competition in their Berkshire debuts; presents one of the preeminent Baroque ensembles, Tragicomedia, to usher in the holiday season; and adds another notch on its belt of successful commissioning projects with a new work by American composer Robert Beaser, who has written for Glimmerglass and New York City Opera. A glamorous Russian piano duo offers rare repertoire for four hands, and Close Encounters traverses some of the treasures of the piano trio literature. The June gala season finale is devoted to the northern European sensibilities of Edvard Grieg and his circle, complemented by readings from Henrik Ibsen, August Strindberg and Hans Christian Anderson. Here are the highlights:

“DUALLY” NOTED Music for Four Hands Saturday, Oct 20 at 6 PM Mahaiwe Performing Arts Center Great Barrington, MA

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SHADOWS IN PARADISE Sunday, Nov 4 at 2 PM The Berkshire Museum’s Little Cinema Pittsfield, MA

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TRAGICOMEDIA A Baroque Holiday Celebration Sunday, Dec 9 at 2 PM Mahaiwe Performing Arts Center Great Barrington, MA

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Midwinter Fireside Concert Saturday, Feb 23 at 6 PM Ventfort Hall Lenox, MAA Free Event exclusively for Season Subscribers

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AN EVENING WITH ELIOT FISK Old, New, Borrowed and Blues Saturday, Mar 23 at 6 PM Mahaiwe Performing Arts Center Great Barrington, MA

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The curtain rises on October 20, 6 PM, at the Mahaiwe Performing Arts Center. Doubling the sonorities and dazzle of the piano, CEWM turns the solitary recital into an eloquent dialogue as two Russian virtuosos of the highest order, Natalia Lavrova and Vassily Primikov, perform a panoply of styles. From Mozart and Chopin (two Scherzos) to John Corigliano’s Gazebo Dances, and a saucy Brazilian celebration by Darius Milhaud, the precise coordination of four hands on one instrument is thrilling. Also featured is Franz Schubert’s Fantasie for Piano in F minor, transcendently beautiful and one of the foundational works of the chamber music repertoire.

On December 8 at the Mahaiwe, CEWM will present Tragicomedia, an offshoot of Boston Early Music. With its unique constellation of leading instrumentalists and singers, the ensemble has exerted a strong influence in the field of early music since 1987, exploring every musical genre from lute song to fully-staged Baroque opera and winning awards for their recordings for EMI, Virgin, Hyperion and Harmonia Mundi. Featuring rarely heard baroque instruments (mandolin, lirone, chitarrone, viola da gamba) for a rich palette of instrumental color, the program offers the repertoire of the Italian Cantata–namely those of Handel, Steffani and Barbara Strozzi (who takes 17th century women to task for their flightiness!)–in a festive performance, with Director Stephen Stubbs.

Back by popular demand, guitarist extraordinaire Eliot Fisk demonstrates again that the versatility and appeal of his instrument are almost limitless. He is joined by Metropolitan Opera star soprano Jennifer Zetlan and Yehuda Hanani in the world premiere of a newly commissioned work by American composer Robert Beaser. The wide-ranging program features multiple traditions: German lieder,moody fado, J. S. Bach, tango, transpositions, improvisations, and more. The last student of legendary Spanish guitarist Andrés Segovia, Eliot Fisk was awarded the Cruz of Isabel la Catolica for his service to the cause of Spanish music, performing to dazzling critical and public acclaim, including a command performance for King Juan Carlos of Spain. Jennifer Zetlan has been lauded in the press for her “silvery voice with its affecting beauty and suppleness” (New York Times).

The April 20 performance juxtaposes a 20th century classic side by side with Schubert at the summit: Often described as a Post-Modern Gershwin or Jewish Ives, Paul Schoenfield combines ingredients of jazz, klezmer and whimsy in his irresistible, irreverent Café Music. Franz Schubert’s final year was staggeringly productive. The B-Flat opus 99 captures the meteoric luminosity of his inevitable death, as well as his inimitable melodic lyricism. Both composers utilize folklore and the point of departure for each is the easy charm of the Viennese café. Violinist Erin Keefe (hailed as “an impressive violin soloist” by The New York Times) and award-winning pianist Jeffrey Swann join for this evening of fascinating contrasts.

The May 18 program begins with the great masters of the German tradition, Mozart and Beethoven, then veers off to represent the man who challenged their hegemony and forged his own exotic, shimmering path–Maurice Ravel. Creating totally new sonorities, and contemporary rhythms based on archaic Mediterranean and Basque dances, his groundbreaking Piano Trio is like a Picasso painting in music. Brimming with ardor and ecstasy, it’s the modern that returns to primitive. An all-star line-up introduces Itamar Zorman and Roman Rabinovich, most recent top-prize winners of the Tchaikovsky and Arthur Rubinstein International competitions.