Wonder Who’s Who?
About Gail Burns
A theatre critic and the area’s go-to person for theatre history in the Berkshire and adjacent area, GailBurns has been writing about theatre for fifteen years. She has been a critic for the North Adams Transcript and many other publications over her career. Ms.Burns brings first hand knowledge of acting, directing and producing theatre, having done so for many companies over her lifetime. Her unique approach of blending what she sees on stage with what she has seen in real life brings a personal approach to her writing.
Burns is one half of the online dialogue that takes place in the column Burns & Murray. The unusual approach to reporting theatre is a hybrid blend of criticism and advocacy.
About Roseann Cane
Although actress-director Roseann Cane made her television debut at the age of four on “Howdy Doody,” it would take her nine more years to begin training professionally, first with private teachers, then at the American Academy of Dramatic Arts, Emerson College, Hofstra University, and The New School. The New York City native would go on to appear onstage in a wide variety of roles by playwrights ranging from Shakespeare to Neil Simon and Chekhov to Beckett.
For much of that time Cane supported herself by writing, editing, and teaching. She’s been a writing instructor at Hunter College, the 92nd Street Y, and a slew of other institutions; a promotional writer for Cambridge University Press; copy supervisor at Harper & Row (now HarperCollins); editor of Quadrant, the journal of the C.G. Jung Foundation for Analytical Psychology (where she was also a faculty and editorial-board member); program director of the New York Open Center; and a columnist for Lifetime Television’s website.
During the 1990s she appeared on Lifetime Television’s Pandora, and was the voice of the BRIDES Magazine horoscope line. Acting on the stage remains her first love. Recently, she played Lady Boyle in Superior Donuts at Albany’s Capital Repertory Theater; Hannah in As It is In Heaven at Lee’s Spectrum Playhouse; and Edna in The Prisoner of Second Avenueat the Ghent Playhouse. She appears in the film “H.”, directed by Rania Attieh & Daniel Garcia, which will premiere at the 2014 Venice Film Festival. Cane has also directed a number of plays at the Ghent Playhouse, including Pack of Lies and Other People’s Money.
About Milo Jordan
A trans(ient) flower-child of the revolution, Milo has been active in the arts from a very young age. He grew up in Vienna, Virginia and/or Albany, New York, the mix of which allowed him to experience a combination of urban, suburban, and country living that has shaped his view on life.
Milo has partaken in theatre both on the stage and behind it(under it, on top of it, to the side of it, by means of gaffe taping it, lighting it, building it, painting it, yelling at it, petting it…) as well as dabbling in gymnastics, dance, music and visual arts. He also spent many of his formative years riding and training horses on the event and hunter-jumper circuits, a hobby he still enjoys. Having dreamt of living in New York City since his first trip there with his high school theatre group(whom can be blamed for many of his aspirations and too many of his jokes) he hopped a bus with $5 and a suitcase and has apparently arrived.
Daytiming as a dog-walker/cat-sitter/bird/feeder/animal enthusiast, Milo is thrilled to have the chance to write for Berkshire on Stage while he pursues his own artistic ventures. He currently lives in Brooklyn(duh) with his dog Phoenix. He has a distinct love of “punk” culture and music, puts too much value in internet memes and uses the hashtag #AboutMilo for things that contain questionable pertinence to his life.
He has a strong opinion about the spelling of the word theatre. Perhaps Milo can be best summed up by the words on his twitter profile: “Spends too much, or not enough, time around theatre and horses. Aspiring dancer and professional leap-frogger.
About Larry Murray
Larry Murray began publishing Berkshire on Stage in April of 2010. Prior to that he contributed reviews and interviews to Berkshire Fine Arts from 2007 to 2009 where he was contributing editor. The two online venues continue to share content from time to time. Murray’s critical commentary also appears in BroadwayWorld.com and is often excerpted in Nippertown.com and elsewhere.
Prior to retiring to the Berkshires from Boston and New York, Murray’s career spanned the performing arts (Boston Symphony, Tanglewood, Boston Ballet and Arts Boston), movie making (Universal Films, Warner Brothers) with several stints in advertising, public relations and marketing. He has written for the Boston Globe and Phoenix and been an Associate Producer at WBZ-TV, most notably the documentary “Backstage at the Nutcracker.
There is also a short but somewhat more detailed biography of Larry Murray here.
To reach Murray, send an email to berkshirelarry @ gmail.com (remove the extra spaces) or use the comment section below.