Jennifer Kent’s “The Babadook” is a sensitive, yet terrifying film with the ring of truth about it. I think you will be hearing a lot about it in the coming weeks.
Reprised for December 5–December 28, 2014, here’s the Burns and Murray review of the same production in 2013.
The great tradition of the British holiday panto has thrived in Columbia County since 2000 for good reason. It is about the most fun you can have at the theatre with the whole family – a funny, musical nod to fairy tales familiar and unfamiliar, with a little cross-dressing and a lot of spoofery thrown in.
The Wharton Salon and Pythagoras Theatre Works collaborated to present two delightful one act plays, superbly produced and acted at The Mount.
All is well in Topsy-Turveydom, says Gail Burns in her review of this Gilbert & Sullivan operetta.
The stories are intertwined in this gripping theatrical experience from WAM Theatre now playing at Shakespeare & Company.
Yes, it happened, from Barrington Stage to the biggest theatre on Broadway, and I am just one of the many critics from NY to LA who are applauding iits success. Click to read the review with more commentary.
When a father dares to expose a truth, those in power manipulate public opinion putting his whole family in danger.
A classic author of terror tales takes the stage just in time for Halloween.
Burns and Murray review Shakespeare & Co’s “Private Eyes” and find it is a mystery play in more ways than one.
Jim Brochu mingles his life story with those of the famous and near-famous of theatre, alternately performing himself or simply selling those watery orange drinks in Broadway’s Alvin Theatre, now called the Neil Simon.
The kitchen is the arena for the never-ending battle of the sexes – with laughs aplenty – in a play that’s divided into two acts and two generations with two different issues from 1970 and 2005 to keep the verbal sparring lively.