“Stockholm” is unique in the way it weaves theater and dance/movement into a highly compelling journey through two people’s lives.
The evening features Xavier Cano (in photo,) with cabaret favorite and Iconis family member Molly Hager, with Alyse Alan Louis in her BSC debut.
Famous authors and frenemies, the meeting of F. Scott Fitzgerald and Ernest Hemingway may or may not have been exactly like this.
Talking with Julianne Boyd about her approach to the first Shakespeare play offered by Barrington Stage.
The most spectacular day of the year at Tanglewood is great for families, too.
Is Obehi Janice “Fufu,” or “Oreos,” or both, or neither? And does it matter?
This is the sort of performance that gives Fringe theatre a bad name.
Engaging, then riveting, this is a sad story of great depth and beauty. Bonus: Q&A with the composer.
The final thirty minutes are so sob-inducing there should be a couple of kleenex tucked into each program.
Mother Courage is a perfect fit for Olympia Dukakis, as is Brecht for Shakespeare & Company
A piccolo concerto and double bass quartet were among the wonders of BOAC’s 12th Musical Marathon at Mass MoCA
Gail Burns found Annie Baker’s Body Awareness worth the drive to the Chester Theatre Company.