Staged Reading of Greenwood: An American Dream Destroyed
Produced by Theatre Institute at Sage
March 17 & 18, 2017
The Theatre Institute at Sage (TIS) announces a staged reading of the rarely-produced play Greenwood: An American Dream Destroyed by Celeste Bedford Walker. The reading is directed by Lynnie Godfrey, the inaugural artist of the Scrimshaw Distinguished Visiting Artist Fund. Godfrey, an actress, singer, director and producer based in New York City, is at Sage for a week-long residency thanks to the generous support of the fund established by The Sage Colleges President Susan Scrimshaw.
This two-act drama tells the story of events surrounding the 1921 race disaster in Greenwood, Oklahoma. Greenwood, the premier Black Boomtown of its era, was referred to as the “Negro Wall Street”, and had successfully achieved complete economic independence from its neighbor Tulsa, Oklahoma. That all ended when 14 blocks of the town were burned down in one night. Follow the progress, success, joy and prosperity of the township of Greenwood and eventually the story of its demise.
Greenwood is an important part of Black history, but more importantly a significant part of American history. In fact, the new African-American history museum in Washington, DC has dedicated an entire room to the history of Greenwood, Oklahoma.
The staged reading will be directed by Lynnie Godfrey. She will be joined by a number of professional actors from her NYC ensemble, The Essence of Acting. Godfrey says, “I think that the Arts; music, visual, theatre, spoken and written, to name a few, are wonderful forms of communication. It can be through these art forms that we learn about one another and lessen our gap of ignorance about each other. Greenwood: An American Dream Destroyed tells of the 1921 Disaster in Tulsa/Greenwood, Oklahoma by people who might have lived through that kind of holocaust. The telling of that story should strengthen and unite us ALL!”
Godfrey is the founder and Executive Director of GodLee Entertainment, Inc. She has several reasons for running her own production company: “I thought there was a need to see plays that reflected a life that were not being produced on the stage. What life? Aspects of my life…a life that I never saw when I would go to the theater; aspects of my history that I never saw in theater or when I was offered roles as an actor. Or, as Lloyd Richards would say to me when I was his student: ‘If you don’t see it, create it.’”
There will be talkbacks after both performances on March 17th and 18th. This is a reservation only event.
This project is also possible with the support of Student Life Association; History and Society; co-produced with Jean-Remy Monnay at Soul Rebel Productions and the Black and Latina Student Association.
About Lynnie Godfrey: She has been performing since the age of three, starting with family members at Pentecostal Churches in Harlem and Brooklyn. After graduating from Hunter College, she went onto Broadway in the musical revue EUBIE! Ms. Godfrey has performed in nightclubs and theaters from New York to England. She has appeared in television and film. Credits include: V.I.Warshawksi (with Kathleen Turner), a starring role in 704 Hauser (a Norman Lear sitcom), numerous television guest spots, an animated series, and August Wilson’s Gem of the Ocean. She has tirelessly pursued a career in directing, music and acting, never preferring one over the other but loving all three.
About Celeste Bedford Walker: A Houston-based playwright and the winner of several prizes, she is best known for Camp Logan, her historical drama based on the 1917 riot by black soldiers in Houston. The New York Times has praised her work as “well-crafted…vigorous social satire.” was performed at the Kennedy Center and heralded by the Washington Post as “a textbook example of how to simultaneously entertain and educate an audience.”
In February 2017 Ms. Walker was invited into the Texas Institute of Letters, a distinguished honor society founded in 1936 to celebrate Texas literature and recognize distinctive literary achievement. The TIL’s membership consists of the state’s most respected writers – including winners of the Pulitzer Prize, National Book Award, and MacArthur “Genius” grants and many other awards. Membership is based on literary accomplishments and is granted only though an election by existing members.
What: Staged Reading of Greenwood: An American Dream Destroyed
Where: Meader Little Theatre, Russell Sage Campus, Troy, NY
When: Friday March 17, 7PM; Saturday March 18, 2PM
Who: Play by Celeste Bedford Walker, Directed by Lynnie Godfrey
For Reservations, contact:
Box Office: (518) 244-2248
About Theatre Institute at Sage: Established in February of 2011 and originally under the direction of Associate Professor Michael Musial, the Theatre Institute at Sage is dedicated to providing quality live theatre and arts-in-education programming to Capital Region youth, educators and residents. The Institute also provides opportunities for Russell Sage students as performers, technicians and teachers.
Programs include educational support services for Sage productions (such as in-class preparations, teacher in-services and study guides), a Saturday theatre arts school, camps during school breaks, and several theatre camps during the summer for children ages 5-18.
Currently under the supervision of Managing Director, David Baecker and Artistic Director, Leigh Strimbeck, the Theatre Institute at Sage faculty includes Russell Sage Teacher/Artists-in-Residence David Bunce, Heather Hamelin, Lynne Roblin and William Spencer Musser. Programs are taught by a combination of Sage staff, students and consultants. Programs take place on the Russell Sage College campus in Troy, which is home to three performance spaces as well as numerous studios and classrooms.