Filmmaker Mariam Ghani to Screen Rare Afghan Films at EMPAC

Troy, NY — On Monday, April 24, at 7PM, artist Mariam Ghani will present a selection of rare films produced between 1978-1991 from the Afghan Film Archive at the Curtis R. Priem Experimental Media and Performing Arts Center (EMPAC) at Rensselaer Polytechnic Institute. What We Left Unfinished is Ghani’s long-term research and film project.

Working in the dual role of artist and historian, Ghani describes the project as “centered around five unfinished Afghan feature films shot, but never edited, between 1978 and 1992: years that encompass the Afghan Communist coup d’état, attempted reforms that met bitter rural resistance, a series of internal purges and assassinations, the Soviet invasion and withdrawal, a five-year attempt at national reconciliation, the handover of power to a mujahidin coalition, and finally dissolution into civil war. From the unfinished films commissioned, produced and canceled by various iterations of the Afghan state, in various moments of the Afghan Communist project, we can reconstruct not the truths, precisely, of how the state existed and acted in those moments, but rather its most important fictions: its desires and fears, ambitions and ghosts. In the imaginary presented by most finished films of the period, we see the ideal People’s Democratic Republic that could have been, but wasn’t; in the unfinished films, the reality–a utopian project secured by violent force–lingers like a shadow, just barely concealed behind allegories and codes. The world around the films, where filmmaking itself was a dangerous enterprise, seeps into the world onscreen.”

For this event, Ghani will narrate the screening of mostly silent films—which range from a re-enactment of the 1978 Communist coup-d’etat in which the party leaders and Afghan army play themselves, to fictions centering around infiltration into criminal organizations, and the portrayal of a gang of diamond smugglers and a rebellious teenage daughter—to draw out the complex histories of conflict, politics, and war inscribed into the images themselves.

The audience will be invited with EMPAC curator Victoria Brooks to act as interlocutors, with questions and discussion encouraged throughout.
MiriamGhani_WTF_2016
The Curtis R. Priem Experimental Media and Performing Arts Center (EMPAC) at Rensselaer Polytechnic Institute is where the arts, sciences, and technology interact with and influence each other by using the same facilities and technologies, and by breathing the same air. EMPAC hosts artists and researchers to produce and present new work in a building designed with sophisticated architectural and technical infrastructure. Four exceptional venues and studios enable audiences, artists, and researchers to inquire, experiment, develop, and experience the ever-changing relationship between ourselves, technology, and the worlds we create around us. EMPAC is an icon of the New Polytechnic, a new paradigm for cross-disciplinary research and learning at Rensselaer, the nation’s oldest technological research university.

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