The U Albany College of Arts and Sciences offers the Palissimo Company “in the raw” on Friday, February 3 performing “Bastard,” a work inspired by Jerzy Kosiński’s wartime novel “The Painted Bird.”
Jacob’s Pillow and MassMoCA present choreographer/dancer Richard Move’s XXYY (working title), an interdisciplinary performance on January 20 exploring gender identity – in collaboration with visual artist Paolo Canevari and theater artist Alba Clemente.
Drawing from Saori Tsukada’s background in Japanese storytelling and Nikki Appino’s experience with American film, “Club Diamond” unfolds through the use of silent film, illustration, and live animation. The production is paired to Tim Fain’s delicate violin composition.
“Juarez” is driven by a concept it calls “whole theater,” a concept described by Theater Mitu as “rigorously visual, aural, emotional, intellectual, and spiritual all in the same moment.” In an age of distortions and lies, hear real people speak the truth. December 3 at Mass MoCA.
John Kelly brings his “Time No Line” to MASS MoCA on Oct. 22, exploring the hardships of life as a young, queer individual during the HIV/AIDS outbreak, using movement, projections, song, and spoken word to express the crippling fear of disease, loss, and loneliness.
Inspired by The Naked I: Monologues From Beyond The Binary by Tobias K. Davis, the 20% Company Twin Cities takes the idea of a monologue-based play to a new level and boldly explains and explores the land beyond ‘male’ and ‘female’.
Neither classical nor rock, but everything in between, the 15th Annual visit of Bang on a Can features public performances, recitals, and lectures, created by 50 cutting-edge composers and performers from around the globe.